Done

• 1:1 Pixel Mapping

  1 pixel of incoming source is displayed as 1 pixel onscreen.

  If the incoming source resolution is less than the total pixel count of the monitor your source will not fill the screen.

  If the incoming source resolution is greater than the total pixel count of the monitor then only a portion of the incoming source will be shown onscreen.

  Once pixel mapping is active pressing down on the H POS knob will move the source to a different onscreen position when pressed.

  Show Me How
• 2:1 Pixel Mapping

  For SD sources only.

  Every individual pixel of the incoming source is represented by four pixels onscreen.

  This scaling algorithm is simple and allows for a largely artifact free double size version of the 1:1 Pixel Mapping Mode for SD sources.

  While 2:1 scaling will still not fill the entire screen on a 1920x1080 resolution monitor, it does use a majority of the vertical screen height and provides an excellent quality large scale representation of the SD source.

  Show Me How
• 3G Level B

  When monitoring a 3Gbps SDI Level B signal (monitor must be equipped with 3Gbps SDI Inputs) comprised of two distinct 1.5Gbps HD-SDI signals that have been muxed together you can use this 3G Level B selection to select different monitoring options including:

  Stream 1, Stream 2, PAP, PIP, POP, Vertical Split, Horizontal Split, Overlay Mode.

  Please note that Level B 3Gbps SDI requires that both 1.5Gbps signals share the same frame rate and resolution and that Link A and Link B are genlocked.

  For signals using SMPTE 425M-B image format mapping to transport SMPTE 372M formatted Dual Link information (4:4:4) YCbCr or RGB / 1080p50/60) the Overlay Mode should be used to view the combined LinkA and LinkB data as a single video signal.

  Show Me How
• 4K Display

  This feature is currently in limited beta testing only. Further support & documentation will be offered in conjunction with future firmware releases.

• Active Boundary

  When turned on, the Active Boundary marker will highlight the edges of any active video area not directly bordering the monitor’s bezel.

  This is useful for detecting missing lines in the active video area.

  Show Me How
• AFD (Active Format Description)

  Activating this function will enable an Active Format Description reader on the monitor that will provide both a text readout of AFD data and display corresponding markers onscreen indicating the portions of the image described by the AFD code.

  If no AFD data is present while this feature is active the monitor will show AFD: NONE in its AFD readout window.

  Show Me How
• Alarm Menu

  Selects the type of alarm events that will be monitored.

  This selection only affects onscreen (visual) alarms and does not change what alarm events can be monitored through the remote control alarm monitoring software.

  Show Me How
• Alignment Level

  Allows audio level meter alignment level to be set to -12dBFS, -14dBFS, -16dBFS, -18dBFS or -20dBFS, -22dBFS.

  Show Me How
• All Alarm

  Will trigger an alarm if any alarm condition is met (Loss of Signal, Black Field, Blue Field, Audio Mute, IRE threshold exceeded, RGB levels over 100 IRE).

  Show Me How
• Anamorphic Desqueeze

  This feature gives you the ability to desqueeze HD signals coming from cameras utilizing anamorphic lenses that may not have a built in desqueeze feature of their own.

  This can be particularly useful in applications outside of post production, especially onset monitoring, where de-squeezing such signals in real-time may otherwise not be possible.

  The desqueeze modes available are 1.3, 2.0, and 2.0mag. This feature is in addition to, and not a substitute for, the SD Aspect Ratio function. To use this feature set Anamorphic DeSqueeze to a function button, which will allow you to toggle the desqueeze on and off.

  To set the desqueeze ratio/magnification go to the Video Menu and select your desired Anamorphic desqueeze mode.

  Show Me How
• Area Marker

  Use the Area Marker function to select what type of marker is displayed when the marker function is active.

  The marker selections available from this option include most commonly used markers and more complex user designed custom markers. Area Markers and Safety Markers may be displayed simultaneously provided that the Marker Background function (described below) is set to Normal.

  title safe framelines safe area safety action safe Show Me How
• Audio Menu

  Configure Audio settings for Inputs, Audio Sync, and Audio Lockout.

  Show Me How
• Audio Display Channels

  Allows you to select the Audio Level Meters Channels that will be shown on the Vertical or Horizontal Audio Level Meters.

  Select from Channels 1-2, 1-8, 9-16, or 1-16.

  Show Me How
• Audio Display Mode

  This option can be set to either Groups or Pairs.

  When organized in pairs the odd channels will be displayed on the left side of the screen and even channels of the right side of the screen.

  When organized in groups the channels will be arranged with all channels of an Audio Group displayed on the same side of the screen together.

  Show Me How
• Audio Lockout

  When set to On this feature will lock the Volume Knob, which retains the last used audio setting used. While On no adjustments to Audio volume will be possible.

  Show Me How
• Audio Loudness

  Audio Loudness metering can be pasued and reset using the RESET rotary knob.

  Show Me How
• Audio Meter (Alarm Menu)

  Only applies to Safety Broadcast feature.

  Determines position of 2 channel audio level meters. Select from Horizontal or Vertical.

  Show Me How
• Audio Phase

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Show Me How
• Audio Sync

  Choose between Signal Clock or Internal Clock for Audio Sync. Some embedded audio sources may have a poor quality signal clock that may lead to audio distortion. Switching to Internal Clock can help to eliminate or minimize such distortion.

  Show Me How
• Audio Trigger Time

  Sets the amount of time with mute audio that should elapse before the mute audio alarm is triggered.

  Show Me How
• Ballistics

  This allows you to select the the type of Audio Level Meters to display.

  You can select from PPM Type I, PPM Type II, or True Peak.

  Show Me How
• Baud Rate

  Sets the RS422 baud rate.

  This should be left at the default 9600 value unless otherwise specified by Flanders Scientific’s support department.

  Show Me How
• Blue Bias

  These settings allow you to manually adjust the white balance of the monitor.

  We suggest using a 100% white field for Gain adjustment and a 30 to 40IRE grey field for Bias adjustment.

  Show Me How
• Blue Gain

  These settings allow you to manually adjust the white balance of the monitor.

  We suggest using a 100% white field for Gain adjustment and a 30 to 40IRE grey field for Bias adjustment.

  Show Me How
• Blue Only

  This function activates the monitor’s Blue Only mode.

  The respective channels can be shown as just that color (Blue).

  Show Me How
• Blue Only as Mono

  This function activates the monitor’s Blue Only as Mono mode.

  The respective channels can be shown as monochrome.

  Show Me How
• Center Marker

  Toggles whether the center marker (crosshair) is displayed when the marker is activated.

  Show Me How
• CIE Scope

  Maps full frame signal data onto a CIE diagram with the added ability to compare your current active color space vs. other standard color spaces.

  Show Me How
• Color Histogram

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Show Me How
• Color Management Menu

  For changing Gain & Bias settings, Selecting Color Spaces, Managing LUTs, & Updating your FSI monitor.

  Show Me How
• Color Matching

  Alternate CMF for OLED monitors.

  FSI’s OLED monitors are capable of operating with calibration based on the standard CIE 1931 Color Matching Function (CMF) or the Judd Modified CMF, which has largely become the preferred CMF for use with OLEDs.

  As the Judd Modified CMF is an easy to apply known offset from CIE 1931 for any given display type you can easily toggle between these without having to recalibrate the monitor. This also allows for calibration using software and equipment based on the the more common CIE 1931 CMF with the ability to quickly and easily apply the Judd based offset after calibration is complete.

  Show Me How
• Color Space

  Select from available options to instantly change the active color space. Please note that switching color spaces may take several seconds.

  Show Me How
• Color Temperature

  Use this setting to set the desired color temperature. You can instantly toggle between 3200K, 5000K, 5600K, DCI, 6500K, and 9300K. 6500K is the default setting.

  Show Me How
• Column

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Show Me How
• Cross Hatch

  The Cross Hatch function toggles on/off the onscreen display of a graphical cross hatch overlay.

  Show Me How
• CX Scale

  This scaling mode was designed specifically to allow the scaled down and top centered ’gate check’ output from Codex™ ARRIRAW Recorders to be scaled full screen.

  Once assigned to a function key you can quickly enter or exit this custom scaling mode with a single button press.

  Please note that some functions, such as markers, will not work while this mode is active. However, other useful functions such as Waveform and Vector Scope will continue to operate normally.

  Show Me How
• Default Profile

  Recall the factory default saved profile. After selecting the Default Profile press ENTER to activate the saved profile selection.

  Show Me How
• DHCP

  Enable or Disable DHCP. With DHCP Disabled, you can set a manual IP address, subnet, and gateway for use with various software such as remote control apps or live grading software.

  Show Me How
• DSLR Zoom

  This function is designed to be used with many popular DSLR cameras that have preview/record monitoring output in 1080 & 480 resolutions. When DSLR Zoom is active the 16:9 area that will be recorded is scaled to fill the screen.

  On DSLR cameras that switch from 1080 to 480 while recording the DSLR Zoom can be left on and the same correct aspect zoom will be maintained regardless of whether the DSLR is in preview or recording mode.

  Show Me How
• Dual Link

  3Gbps SDI is the preferred connectivity method if available, but if single link 3Gbps SDI output from your source is not available you can use the Dual Link funciton to activate Dual Link SDI support.

  To activate this capability first select SDI 1 as your input. Then set Dual Link to a function button. Then press that designated function button to to turn on Dual Link mode. Once active you may need to set your SDI format manually if no payload ID is present in the signal. To do this go to the SDI format section of the Video Menu and select the appropriate format.

  Show Me How
• DVI-D Audio

  Allows you to select between Analog Audio input (via minijack connector), No Sound, or Digital CH1&2 when DVI is the selected video input.

  Show Me How
• DVI Pixel Format

  Use DVI Pixel Format to select between Full RGB (0-255), Limited RGB (16-235), or YCbCr modes.

  Show Me How
• Fast Mode (Function)

  Fast mode is a low-latency processing mode available as a function on DM Series Monitors. Use this function to toggle Fast Mode processing on and off. Please note that while Fast Mode is enabled menus and ancillary features will be locked out. Simply turn off Fast Mode to regain full access to all menus and features.

  For true progressive signal formats there is only 1 type of low latency processing so Fast Mode can be toggled without having to pre-configure any additional settings. For interlaced sources there are 4 available types of Fast Mode processing that can be pre-configured from the Video Menu. See the Video Menu section of this manual for details on these processing modes.

  Show Me How
• Fast Mode (Selection)

  Standard Mode: Frame buffer is used allowing 1st field to be captured then processed along with 2nd field for display on screen. This mode allows for very accurate monitoring of interlaced sources.

  Black Insert: Inserts black field for nearly instantaneous display of source. This mode may result in a slight drop in overall image luminance.

  Half LUM: Inserts a half light field for nearly instantaneous display of source with less impact on overall luminance than Black Insert. This mode looks very similar to a CRT owing to a CRTs average pixel decay (fall) time.

  Field Copy: Line-doubler processing mode for nearly instantaneous display of source.

  Show Me How
• Flicker Free (OLED Only)

  When turned ON this mode eliminates the low frame rate flicker typical of OLED monitors with ultrafast pixel respone times.

  For optimal display performance and comfortable viewing we suggest setting Flicker Free Mode to ON for 24p and 25p material and setting Flicker Free Mode to OFF for higher frame rate material (e.g. 59.94i/p, 50i/p, etc.).

  Show Me How
• Focus Assist

  The focus assist feature is comprised of two main parts: a numerical focus meter and a graphical focus highlight.

  The numerical focus meter is shown on screen as your current focus value over your reference focus value (i.e. 560/300). When the focus assist feature is activated the rotary knob labeled Ref POS allows you to adjust the reference focus value. The reference focus value represents the in-focus threshold for the focus highlight portion of the focus assist feature. Adjusting the focus reference value higher means that the threshold at which the focus highlight begins to trace in-focus items with a red boundary will be higher.

  Show Me How
• Full Screen

  This function stretches any incoming source to fill the entire screen.

  Unlike the Zoom feature this full screen stretch does not preserve aspect ratio, but it does keep all of the active video signal present.

  Though the full screen mode has many potential uses it was designed primarily for use with rasterizers that generate a 16:10 or 16:9 aspect 1024x768 output. Enabling Full Screen mode allows the monitor to stretch the image as intended by the rasterizer

  Show Me How
• Full Screen Pixel Mapping

  The full screen mode will scale the incoming source to fill as much of the screen as possible while preserving the incoming source’s native aspect ratio.

  If the incoming source and panel share the same resolution then there will be no difference between 1:1 pixel mapping and full screen pixel mapping.

  Please note that the Overscan function will be represented differently based on the pixel mapping selection that you select.

  Show Me How
• Function Menu

  Assign the programmable face buttons to functions you can quickly toggle on & off.

  Show Me How
• Function Display

  Gives you the option to have a temporary confirmation window appear on screen after a function key is pressed that will identify the function that was turned on or off.

  Show Me How
• GaiaColor AutoCal

  Automatic Volumetric Calibration.

  See user manual for in-depth details.

  Show Me How
• Gamma Select

  This setting allows you to specify the desired gamma response of the monitor in 0.2 step increments ranging from a gamma response of 1.8 to 2.8 as well as 2.35 and 1.0.

  The default gamma setting is 2.4, but any selection may be chosen for instant adjustment of the monitor’s gamma response.

  Show Me How
• GBR Parade

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Show Me How
• GPI Menu

  This menu allows you to set 7 assignable functions for remote control via the GPI interface on the back of the monitor (RJ-45 connector labeled GPI).

  Simply select one of the GPI slots, 1 through 7, and press ENTER to generate a list of available functions that can be toggled using the GPI interface.

  Show Me How
• Graticules

  Toggles Custom Marker Feature On/Off.

  Use rotary knobs to adjust line positioning. Set Graticules Info to Off to clear line position and span size readouts.

  title safe framelines safe area safety action safe Show Me How
• Green Bias

  These settings allow you to manually adjust the white balance of the monitor.

  We suggest using a 100% white field for Gain adjustment and a 30 to 40IRE grey field for Bias adjustment.

  Show Me How
• Green Gain

  These settings allow you to manually adjust the white balance of the monitor.

  We suggest using a 100% white field for Gain adjustment and a 30 to 40IRE grey field for Bias adjustment.

  Show Me How
• Green Only

  This function activates the monitor’s Green Only mode.

  The respective channels can be shown as just that color (Green).

  Show Me How
• Green Only as Mono

  This function activates the monitor’s Green Only as Mono mode.

  The respective channels can be shown as monochrome.

  Show Me How
• H Audio Level Meter

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Horizontal Show Me How
• H/V Delay Mode

  This mode activates the Horizontal and Vertical Delay function to highlight the horizontal and vertical blanking portions of the incoming signal.

  Show Me How
• HDR

  A simple and cost effective way to preview HDR in production environments and quality control applications.

  Show Me How
• Histogram

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Show Me How
• HUE Vector

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Hue Vector Intensity, Gain, Reference Vector Angle, and Percentage of Reference Vector can be adjusted with the H POS, V POS, Ref POS, and F Stop rotary knobs.

  Show Me How
• Image Flip

  DM Series monitors capable of multiple Image Flip modes. You can quickly toggle through available modes including: Vertical, Horizontal, and Vertical + Horizontal.

  Image Flip works on all inputs and is mirrored downstream via second screen output.

  Show Me How
• I->P Mode

  The I->P mode selection specifies how the monitor will treat interlaced footage.

  Show Me How
• IRE Alarm

  Will trigger an alarm if the IRE level specified in the IRE Trigger Level setting is exceeded.

  Show Me How
• IRE Trigger Level

  Sets the luminance threshold at which IRE alarms will be triggered, adjustable from 90 to 109 IRE

  Show Me How
• IRE & RGB Alarm

  Combines IRE and RGB Alarms and will trigger an alarm if either or both exceed their set parameters.

  Show Me How
• Keyboard Locking

  If using FSI’s GPI Keypad Lock to lockout the monitor’s keypad or menu the corresponding Keyboard Locking or Menu Locking function must be set to GPI 1.

  Show Me How
• Keypad LED

  Allows you to turn off the LED lights on the Monitor’s Keypad.

  Show Me How
• Level B Variable Wipe

  When monitoring a Level B 3Gbps SDI signal comprised of two multiplexed 1.5Gbps HD-SDI signals the monitor will allow you to view these signals in a vertical or horizontal split screen mode.

  By activating the Level B Variable Split function while in split screen mode the positioning of the split can be adjusted using the H POS rotary knob.

  To quickly reset the split screen positioning to the default center position simply press down on the H POS rotary knob while the Level B Variable Wipe function is active. Once your desired split screen wipe position is set you can the Level B Variable Wipe function off to remove the guide line between the two signals.

• Load Profile

  Recall Saved Profile Settings. Highlight desired profile & press ENTER to activate the saved profile selection.

  Show Me How
• Log Mode

  These modes allow for easier on-set monitoring of uncorrected of C-Log, S-Log, S-Log2, or BMD Cinema Camera Film Mode Output by roughly normalizing the footage.

  For all Log modes there is both a Standard and Full selection.

  The Standard selection is suitable for most applications, but does clip highlights to allow for a brighter overall image.

  The Full mode is best used for scenes with extremely wide latitude or scenes that are just very bright overall. Full mode preserves the entire native latitude of the signal (nothing is clipped), but this can result in a rather dark image in many applications.

  These modes should only be used to offer on set viewers a rough normilization of the footage to give them an idea of what the content might look like as a starting point in post production. These modes are not a replacement for full 3D LUT transforms and not a substitution for proper color correction in post production applications.

  Show Me How
• LUM Coloring

  This function generates an artificial luminance map of the incoming source that can be particularly useful in identifying overexposed areas in any given shot.

  An onscreen scale helps indicate what artificial color corresponds to what luminance level.

  Rotary knobs can be used when the function is active to change upper & lower threshold and middle range.

  exposure check Show Me How
• Luminance Mode

  Choose from pre-set luminance modes (Standard, Studio, Outdoor) or unlock the luminance slider to customize your peak white luminance.

  Show Me How
• Luminance

  This setting adjust peak white luminance on the display and is the correct way to increase or decrease overall display luminance (not the brightness knob).

  Show Me How
• Luminance Interval

  Allows you to specify the amount of time without an active signal being shown on the monitor that should be allowed to expire before the monitor’s backlight (if applicable) is turned off to reduce the power consumption of the unit.

  When placed in the On position the monitor will not enter the power saving mode and will keep the backlight on so long as the monitor is left on.

  Show Me How
• LUT Bypass

  Used when creating custom LUTs for FSI monitors. Contact FSI Support for additional information.

  Show Me How
• Marker Menu

  Set Marker preferences that can be assigned and toggle via Function keys

  title safe framelines safe area safety action safe Show Me How
• Marker Background

  The Marker Background setting can be used to toggle how the area that lies outside of the Area Marker or Safety Marker boundaries is represented.

  You can select from Normal, Translucent, or Solid.

  title safe framelines safe area safety action safe Show Me How
• Marker Color

  This setting allows you to select the color of the marker being used.

  This can be especially useful when one color dominates the screen and an easily visible high contrast marker is desired.

  title safe framelines safe area safety action safe Show Me How
• Marker Select

  Toggles between three Marker Profiles. Each profile stores all marker preferences and can be recalled from the function menu by assigning a function button to a specific marker profile.

  title safe framelines safe area safety action safe Show Me How
• Max Sharpness

  In addition to the Sharnpess Level Setting found on the Video Menu there is an assignable function called Max Sharpness that will allow you to use a function button to toggle in/out of maxium sharpness mode quickly.

  Show Me How
• Measurement (10Bit)

  This function allows you to get precise real time YRGB measurements of any point or area within your incoming signal.

  Show Me How
• Measurement (8Bit)

  This function allows you to get precise real time YRGB measurements of any point or area within your incoming signal.

  Show Me How
• Mesopic Optimization

  Enables or Disables Mesopic Optimzation.

  Show Me How
• Menu Position

  Changes position of onscreen menu between three choices: Center, Top Left, or Top Right.

  Show Me How
• Mono Mode

  This mode toggles the Monochrome function.

  Show Me How
• On-Screen Tally

  When activated this function will generate an onscreen box that mirrors the status of the physical tally on the monitor’s bezel.

  This can be particularly useful in applications where the physical tally may be obscured.

  Show Me How
• OSC Mode (LM-0750W Only)

  Activating this mode, only available on the LM-0750W, will generate a quad viewing mode with 2 Scopes of your choice (Window 1 and Window 2) as well an Audio Phase Meter and 2 Channel Audio Level Meters in addition to a preview window showing the active signal whenever the corresponding Scopes and VU Meters profile is selected.

• Overscan

  The Overscan function can work with 1:1 Pixel Mapping mode on or off.

  With 1:1 Pixel to Pixel mapping mode turned off the Overscanned image is scaled full screen.

  With 1:1 Pixel to Pixel mapping mode turned on the image remains unscaled, but the area lying outside of the active scan area is blacked out. This area represents the same area not visible with Pixel to Pixel mode off.

  Show Me How
• Parity

  Sets Parity for RS422 communication.

  This should be left at the default None position unless otherwise specified by Flanders Scientific’s support department.

  Show Me How
• Part Display

  Toggles whether just the center part (On) or entire source (Off) is shown in Sub Window Mode.

  Show Me How
• Peak Hold Time

  Allows you to specify the number of seconds that a peak audio level will be held (shown) by the Audio Level Meters.

  Show Me How
• Permitted Max Level

  Allows you to specify the Max Audio Level for your onscreen Audio Level Meters:

  Select from: -10 dBFS, -9 dBFS, -8 dBFS, -7 dBFS, -6dBFS, -5dBFS.

  Show Me How
• PAP (Live Side by Side)

  The PAP function will allow you to toggle Picture And Picture.

  Corresponding controls can be found in the System Menu to change your PAP Secondary Input and PAP Mode, allowing you to select Picture In Picture, Picture And Picture, or Picture On Picture.

  picture on picture pip pop pap Show Me How
• PAP Input

  Select the input for use with the Picture And Picture Function.

  picture on picture picture and picture pip pop pap live side by side Show Me How
• PAP Mode

  Select between Picture In Picture, Picture On Picture, and Picture And Picture for the PIP Function.

  pop pap live side by side Show Me How
• Pixel Mapping

  The Pixel Mapping function toggles between various available pixel mapping options.

  Options vary depending on the incoming source, but may include the following:

  1:1 Pixel Mapping

  2:1 Pixel Mapping

  Full Screen Mapping

  Show Me How
• Pixel Position

  This feature is a part of the Pixel Mapping function and provides a toggle for positioning a 1:1 Pixel to Pixel mapped representation of an incoming source on different areas of the screen.

  Once pixel mapping is active the H POS knob will move the source to a different onscreen position when pressed.

• Pixel Zoom

  Pixel Zoom function allows for an essentially artifact free, high quality zoom on any portion of an HD signal.

  The Pixel Zoom function will generate a positionable and resizable rectangle on screen.

  The rectangle may be moved left or right using the H POS rotary knob and up or down using the V POS rotary knob. The Ref POS rotary knob may be used to change the size of the onscreen rectangle.

  Using these three rotary knobs you can select any area on screen and then press down on the F Stop rotary knob to zoom to the selected area. This pixel zoom feature is designed to work with any HD signal formats.

  To exit the zoomed mode press down on the F Stop rotary knob once more.

  To exit the Pixel Zoom feature entirely press the function button assigned to this feature once more.

  Show Me How
• Real Time Scopes

  Real Time Waveform and Vectorscope that update every frame.

  Scope position, background, size, and scale can be adjusted independently using the rotary knobs on the face of the monitor.

  Real Time scopes work in all processing modes including Zero Delay Fast Mode.

  Show Me How
• Rec. Status Tally

  This function is designed for use with cameras that output Start/Stop Record flags in the ancillary data of their serial digital output.

  To activate this function set Rec. Status Tally to a function button and press that function button once. While active the monitor’s red tally light will turn on when the Start Record SDI flag is detected and will turn the red tally light off when the Stop Record SDI flag is detected.

  Show Me How
• Red Bias

  These settings allow you to manually adjust the white balance of the monitor.

  We suggest using a 100% white field for Gain adjustment and a 30 to 40IRE grey field for Bias adjustment.

  Show Me How
• Red Gain

  These settings allow you to manually adjust the white balance of the monitor.

  We suggest using a 100% white field for Gain adjustment and a 30 to 40IRE grey field for Bias adjustment.

  Show Me How
• Red Only

  This function activates the monitor’s Red Only mode.

  The respective channels can be shown as just that color (Red).

  Show Me How
• Red Only as Mono

  This function activates the monitor’s Red Only as Mono mode.

  The respective channels can be shown as monochrome.

  Show Me How
• Remote Alarm Monitoring

  When set to ON allows for remote alarm monitoring via FSI’s remote alarm monitoring software.

  Show Me How
• Reset Factory Alignment

  The password protected Reset Factory Alignment option is for use by FSI and/or authorized FSI service centers only.

  This option does not reset your monitor to factory default mode, but rather deletes factory calibration data.

  To reset to factory default mode go to the System Menu, select Load Profile, select Default, and then confirm by pressing enter.

• RGB Alarm

  Will trigger an alarm if any RGB Levels exceed 100 IRE.

  Show Me How
• RGB Histogram

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Show Me How
• RGB Overlay

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Show Me How
• RGB Parade

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Show Me How
• Rotary Position

  Changes position of onscreen window indicating status of any rotary knob (Volume, Contrast, etc.) during adjustment. Select from Top, Center, or Bottom.

  Show Me How
• RS422 Address

  Sets the monitors RS422 address for remote control and alarm monitoring. Set between 0~126.

  Show Me How
• Safety Alarm

  Will trigger an alarm if a loss of signal is detected, a full black field is detected, a full blue field is detected, and/or embedded audio goes mute for the amount of time specified in the Audio Trigger Time setting.

  The audio mute alarm will only trigger if audio is being embedded into the signal and is mute for the specified amount of time, there will be no audio mute warning if audio is not being embedded into the SDI signal.

  Show Me How
• Safety Broadcast

  Safety Broadcast is a special monitoring mode designed for Control Room and QC station environments.

  With Safety Broadcast mode activated you can have simultaneous display of two audio level meters, Enhanced Source ID display (large overlay, remotely or manually set), Enhanced Alarm Window Display (large window, red background), and DSLR in 1080i Preview with DSLR Zoom feature Off DSLR in 1080i Preview with DSLR Zoom Feature On DSLR in 480p Record Mode with DSLR Zoom feature off DSLR in 480p Record Mode with DSLR Zoom feature On enhanced timecode display (large timecode overlay window).

  Toggles for UMD Display, Color, and Position are found in the Alarm Menu. Vertical or Horizontal Safety Broadcast Audio Meter selection is also found in the Alarm Menu.

  Show Me How
• Safety in Area

  Toggles whether Safety Marker is shown relative to incoming source or relative to Area Marker (i.e. 4:3).

  Show Me How
• Safety Marker

  Use the Safety Marker function to toggle the size, in percentage, of the safety marker displayed.

  This option can be used by itself or in conjunction with the Area Marker function provided that the Marker Background function is set to Normal.

  The Safety Marker may be displayed relative to the incoming source or the Area Marker by toggling the Safety in Area option on the Marker Menu.

  Show Me How
• Safety Video Alarm

  Same as Safety Alarm minus audio alarms.

  Show Me How
• Save Profile

  Saves all current monitor settings under a recallable profile by highlighting Profile number & pressing ENTER.

  Show Me How
• Scopes & Audio Meters

  These functions toggle on/off a Scopes & Audio Meters profile. Three profile slots are available from the Scopes & Audio Meters Menu and each profile can be set to a specific function key allowing you to instantly toggle between various types of Scope and/or Audio Level Meter configurations.

  Please note that if you have set both Scopes Windows to the Off position in the Scopes & Audio Meters menu nothing will appear on screen when you toggle this function.

  Show Me How
• Scopes Stack

  Use this option to select whether the Scope Windows are stacked vertically or positioned horizontally next to each other when utilizing two Scope Windows.

  Show Me How
• SD Aspect Ratio

  Toggles between 4:3 and Anamorphic display of Standard Definition source.

  This function should be set to match the SD source being viewed. The default setting is 4:3. If used in conjunction with 1:1 pixel mapping this function can also activate a PAL SD FHA viewing mode.

  Show Me How
• SD Enhancement

  This toggle applies maximum sharpening and video quality enhancement to SD video sources.

  Show Me How
• SDI 1 Audio & SDI 2 Audio

  Allows you to select what audio source should be active (audible) when SDI is the selected video input.

  You may select any single channel or stereo pair of embedded audio (i.e. Digital Channel 1, 1&2, 3&4, etc.), Analog Audio (from minijack input), or No Sound.

  The active stereo pair selected here will be the stereo pair shown when the Audio Phase Meter is activated on the SDI Input.

  Show Me How
• SDI Black Level

  Use this toggle to set the monitor’s black level for Video (Legal) range or Data (Full) range.

  Please ensure that your video signal is setup to match this setting.

  When set to Video, bit level 16/64 (8 or 10 bit) will be the blackest level on screen. Levels below 16/64 will not be distinguishable from level 16/64.

  When set to Data, bit level 0/4 will be the blackest level on screen and any levels above this will be distinguishable as brighter levels.

  Once set to match your video signal path the brightness knob can be used to make subtle adjustments to optimize lowlevel response for your particular viewing environment.

  Show Me How
• SDI Format

  FSI Monitors are capable of detecting the payload ID contained in an SDI signal.

  However, some sources or upstream equipment may not generate or pass payload ID. For sources lacking proper Payload ID you may override the SDI Format auto detect function and manually select the appropriate format. It may be necessary to force the monitor to re-sync to a signal when changing formats at the source even when set to Auto.

  You can force the monitor to re-sync by either reselecting Auto from the SDI Format menu, selecting the appropriate format manually from the SDI Format Menu, or simply toggling to another input and back to the input in use.

  Please note that on monitors with a selectable color space option that XYZ signals will be mapped to the color space selected on the Color Management menu.

  Show Me How
• SDI Hue Adjustment

  This option allows you to activate the HUE (PHASE) adjustment knob while monitoring in SDI.

  Technically speaking Serial Digital being both a Digital and YCbCr or RGB video format should not require a HUE (PHASE) adjustment, but should you wish to have such an adjustment in SDI you should set this option to On.

  Show Me How
• Select Alarm Area

  The screen area monitored for Alarm Triggers can be adjusted using the Select Alarm Area feature.

  To set the alarm area simply highlight Select Alarm Area and press ENTER.

  Once active you can use the monitor’s rotary knobs to adjust 4 lines on screen, similar to the custom graticules feature on the marker menu, to define the onscreen area that will be monitored.

  Once your desired area has been set simply use the MENU button to back out of the Select Alarm Area function. The default alarm monitoring area is the whole screen, but this function allows users to specify smaller regions if only a portion of the screen area needs to be monitored.

  Show Me How
• Sharpness Level

  This function is a peaking level adjustment and produces an effect very similar to a physical aperture adjustment.

  By adjusting sharpness lower the image will look softer and by adjusting sharpness higher the image will look sharper.

  Please note that perceived sharpness may also be affected by video processing and pixel mapping settings.

  Show Me How
• Signal Mode

  Selecting ‘Film’ for this setting allows the monitor to compensate for material with 2:3 pulldown to provide a smoother image.

  Selecting ‘TV’ for this setting processes the incoming video signal with no 2:3 pulldown compensation.

  Selecting ‘Auto’ will automatically trigger ‘Film’ mode anytime 2:3 pulldown is detected.

  Show Me How
• Source ID

  Allows you toggle source ID function on/off. The Source ID function can be used to set a manual onscreen label of up to 5 characters. This is often used to allow for the labeling of a monitor as PGM, PVM, CAM, etc. without using placards or tape.

  Show Me How
• Source ID Character

  Allows you to customize text for Source ID label using ENTER, UP, and DOWN buttons.

  Show Me How
• Source ID Position

  Changes position of onscreen Source ID function.

  Show Me How
• Status Display

  Toggles settings for pop up window indicating resolution and frame rate of source when input button is pressed or a new signal type is routed to monitor.

  Setting this option to Off turns the Status Display function completely off, setting to 5 s. enables a 5 second onscreen status display when the input button is pressed or source format is changed, and setting to On leaves the Status Display onscreen permanently

  Show Me How
• Status Position

  Changes position of onscreen status display window. Select from Top Left, Top Right, Bottom Left, Bottom Right, or Center.

  Show Me How
• Still Frame

  This function allows you to freeze a video source at anytime.

  To unfreeze simply press the function key assigned to Still Frame a second time.

  Show Me How
• Sub Window

  Largely deprecated. For side by side viewing on DM Series Monitors please use the dedicated PAP function instead.

  The Sub Window function enables a Picture by Picture mode. After assigning the Sub Window function to a function key the first key press will result in a picture by picture display of your active input.

  Once sub window mode is active you can press down on the H POS rotary knob to freeze the image on the right while the image on the left will continue to show your live source.

  Once frozen you can also switch to any other input provided that the resolution of that input is the same as the frozen source.

  To exit sub window simply press the assigned function key again.

  Show Me How
• Support Menu

  Find contact information for Flanders Scientific.

  Show Me How
• System Status Menu

  Display System Status settings.

  Show Me How
• Time Code (Function)

  Toggle the Time Code function from an assigned Function Key.

  Show Me How
• Time Code

  Allows you to select whether to display Time Code on screen pulled from an HD/SD-SDI signal. Select between Off, LTC, VITC 1, or VITC 2.

  Please note that Time Code cannot be displayed at the same time as Scopes, Markers, or other onscreen ancillary functions.

  Show Me How
• Time Code Position

  Use this toggle to change the onscreen position of Time Code.

  Show Me How
• Time Code Size

  Allows you to toggle between Large or Small Timecode Display.

  Show Me How
• UMD Color

  Only applies to Safety Broadcast feature.

  Toggles the Source ID text color between White and Black.

  Show Me How
• UMD Display

  Only applies to Safety Broadcast feature.

  Allows you to select whether the Source ID overlay displayed is based on the manually set source ID on the monitor’s OSD menu or based on remotely set UMD information over RS232 or RS422. You may also turn the selection to off to remove the Source ID overlay

  Show Me How
• UMD Position

  Only applies to Safety Broadcast feature.

  Select top or bottom of screen. Please note that when Timecode Overlay is active the UMD will automatically be positioned at the bottom of the screen.

  Show Me How
• Update LUT

  DM Series Monitors are capable of loading multiple custom DIT LUTs which do not require you to profile the panel.

  You can use Lattice, the main component of Light Illusion’s LightSpace, or LightSpace FSI LUTs software to convert and export LUTs in the FSI format.

  For more in depth instructions and video, visit our DIT LUTs Page.

  Show Me How DIT LUTs
• Update Firmware

  Used to update firmware on your monitor.

  For more in depth instructions and video, visit our Firmware Page.

  Show Me How Firmware
• V Audio Level Meter

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Vertical Show Me How
• Vectorscope

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Show Me How
• Video Menu

  Configure Video settings such as Gamma, Color Temperature, Sharpness, Signal Mode, etc.

  Show Me How
• Video Clipping

  Setting Video Clipping to On will clip all levels exceeding legal broadcast limits.

  With Video Clipping on you can see how source content will look if clipped within legal broadcast limits. Setting Video Clipping to Off will show you the full range of levels onscreen, this is the recommended operating mode.

  Show Me How
• Visual Alarm

  When set to ON a small box will appear on the monitor’s screen whenever the alarm condition set in the Alarm menu selection explained above is triggered.

  Show Me How
• Waveform

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Waveform Intensity and Gain can be adjusted by turning the H POS and V POS rotary knobs. Default Scope Intensity as of firmware version 9.42 is 75% of the maximum level.

  Show Me How
• Waveform Position

  Use the Waveform Position toggle to select in what area of the screen you would like your Scopes to be displayed.

  Show Me How
• Waveform Scale

  This option allows you to choose what type of scale is used on the Waveform Monitor.

  You may select from V Level (for a voltage based scale), IRE Level (for an IRE based scale 0-100), or Digital Level (for a 8 bit digital level based scaled, 0-255).

  Show Me How
• Window 1 & Window 2

  Two scope windows can be displayed simultaneously so you can view any two of the following modes at the same time:

  Luminance (Standard Waveform), Vector Scope, Hue Vector*, RGB Parade, GBR Parade, RGB Overlay, YCbCr, YCbCr Overlay, Column (YRGB Peak), Histogram, Color Histogram, RGB Histogram, Audio Loudness, Audio Phase, and Vertical Audio Level Meter.

  Please note that displaying two Scope Windows at the same time will cause the Scopes to update more slowly than displaying just one Scope Window.

  To display just one scope Window select OFF in the secondary window selection.

  An additional audio level meter mode called horizontal audio level meter is also selectable. This mode displays meters horizontally across the top of the screen, but cannot be used in conjunction with any other Scope modes.

• YCbCr

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Show Me How
• YCbCr Overlay

  Can be enabled in Scopes & Audio Meters profiles in either Window 1 or Window 2.

  Show Me How
• Zoom

  This function zooms in on the incoming source until the entire screen is filled.

  This is strictly a zooming function and does not alter the native aspect ratio of the source to fill the screen.

  When viewing a 4:3 source in Zoom mode on a 16:9 display the aspect ratio of the visible video will remain 4:3 though the entire 16:9 screen will be filled.

  Show Me How

Function Menu

Assign the programmable face buttons to functions you can quickly toggle on & off.

Show Me

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